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GILDED LILI: Lili St. Cyr and the Striptease Mystique

By Kelly DiNardo

Before Dita Von Teese ever splashed around in an oversized martini glass, before Madonna ever donned her cone bra for the “Blond Ambition” tour, even before Norma Jean Mortensen became Marilyn Monroe, there was Lili St. Cyr. This glamorous, platinum blond queen of burlesque influenced these 20th century sex symbols as well as popular culture itself for decades, yet her story has remained largely untold.
Gilded Lili: Lili St. Cyr and the Striptease Mystique details the life and times of the woman who helped cultivate the modern day impression of burlesque and inspired future femme fatales with her alluring and inventive routines. Drawing elements from history, fantasy and literature for her performances, the woman who transformed herself from Marie Van Schaack to Lili St. Cyr scandalized and seduced fans and celebrities alike from L.A. and Las Vegas to New York and Montreal.
Blond and beautiful, Lili St. Cyr shimmied across the nation’s nightclubs as one of this century’s great sirens. In this pre-sexual revolution era, her routines shocked audiences and earned her four arrests, while at the same time raising her profile and boosting her career. She amassed legions of famous fans, including Betty Grable, Humphrey Bogart, and Ronald Reagan, and her notoriety and fame brought both financial and commercial successes with movie roles in Howard Hughes’ Son of Sinbad and Norman Mailer’s The Naked and the Dead.
Lili’s sex appeal rivaled that of Lana Turner and Ava Gardner and enchanted men from around the world, She was married six times and was rumored to have had romantic trysts with admirers such as Orson Welles, Yul Brynner and Anthony Quinn. Off stage, Lili struggled with the conflicting pressures of the era. Despite her romances, she found love elusive. She had as many ten abortions, attempted suicide several times and became reliant on sleeping pills and ultimately heroin.
Gilded Lili explores the life of the last great burlesque queen, and a woman who impacted American popular culture long after she retired. During her reign, one reporter called her “the rich man’s Gypsy Rose Lee” and Marilyn Monroe took cues from her acts. After she retired, Mike Wallace wrote that his television interview with her over twenty years earlier remained one of the most fascinating ones he had ever conducted.
Today, current burlesque stars look to her for inspiration. Yet, outside of the neo-burlesque movement, only the men of this world – Abbott and Costello, Jackie Gleason and others – have found lasting fame. Kelly DiNardo’s Gilded Lili puts the emphasis on the women of this era, and shines the spotlight on one in particular: Lili St. Cyr.
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About the Author

Kelly DiNardo is a freelance writer based in Washington, D.C. Spanning a broad range of topics from politics and business to food and health, Kelly’s work has been published in The Washington Post, USA Today, Glamour, Redbook, Woman’s Day, Cooking Light and several other publications. She is also the author behind the popular burlesque blog, The Candy Pitch (www.thecandypitch.com).
See www.kellydinardo.com for more information.

Madame Rosebud

Excerpted from thecandypitch.blogspot.com

The Candy Gram: Madame Rosebud

In our ongoing Q&A series –”The Candy Gram”– we ask the same quirky questions of burlesque’s various performers. If you want to be added to the mix, drop us a line at kellydinardo AT gmail DOT com. Today, say hello to New York’s Madame Rosebud of The Peach Tartes.

What is your hometown?
New York City where there’s glitter in the sidewalks

How long have you been interested in burlesque/performing?
My mother says I’ve been “stripping” and calling people “honey” like Jessica Rabbit since I was three. I’ve been performing in musicals, operas, and plays since middle school. But my favorite role has been Cherry in William Inge’s Bus Stop that should have tipped me off.

How many pairs of pasties do you own?
Actually I only own three lovely twirly pairs by the wonderful Ruby Fizz, I’m a fan of colored electrical tape.

What are your three favorite songs to perform to?
I’m Not In Love With You by Immogen Heap
Air Bag covered by The Vitamin String Quartet
Strangers on a Train by Lovage

What three items could you not live without as a performer?
Kimonos, Fetish Heels, and RED lipstick

Who had the biggest influence on your career?
Tigger, he is fearless, shameless, romantic, well researched, beautiful, and a consummate professional. He is a joy backstage as well as in the spot light, he also has the classiest way of passing knowledge onto a performer. Immodesty Blaize in her own way has really helped me focus what my ideas of “good” and “great” burlesque are. She has a way of imbuing classical style with so much sass and pow, it becomes immediately original and breathtaking.

Who is your favorite burly queen?
There are soooo many! Well I’m partial to NYC’s own Tigger, Julie Atlas Muz, Little Brooklyn, Nasty Canasta, Clams Casino, The World Famous Bob. I love everyone that makes up this community, but I’d have to say currently Immodesty claims that title as well as the ladies in my troupe The Peach Tartes.

What is your favorite item of clothing?
My leopard print ’40s style turban.

What’s the last movie you saw?
The lush and groundbreaking Flower Drum Song

What’s on your must-see-TV list?
TCM! They’re almost always showing something great.

What book is on your nightstand?
The Asian Mystique by Sheridan Prasso and Snow Flower and the Secret Fan by Lisa See

If you could go anywhere for vacation, where would you go?
I would take my honey moon in Japan! If I could have any wish I would be a passenger on the Orient Express in the 1920’s, or I’d be seeing Mata Harri perform in Paris.

If you could have any superpower, which one would you want? Why?
I would be able to become invisible because that’s the ultimate tease. Can you just imagine?